E Cummings was an unusual, yet highly acclaimed writer of the 20th century. His style of writing was much different than that of any other contemporary or even 18th and 19th century writers.
Many of his most striking poems do not involve any typographical or punctuation innovations at all, but purely syntactic ones. As well as being influenced by notable modernists including Gertrude Stein and Ezra PoundCummings' early work drew upon the imagist experiments of Amy Lowell.
Later, his visits to Paris exposed him to Dada and surrealismwhich in turn permeated his work. Cummings also liked to incorporate imagery of nature and death into much of his poetry.
While some of his poetry is free verse with no concern for rhyme or metermany have a recognizable sonnet structure of 14 lines, with an intricate rhyme scheme.
A number of his poems feature a typographically exuberant style, with words, parts of words, or punctuation symbols scattered across the page, often making little sense until read aloud, at which point the meaning and emotion become clear.
Cummings, who was also a painter, understood the importance of presentation, and used typography to "paint a picture" with some of his poems. At age 6, he wrote to his father: This work was the public's earliest encounter with his characteristic eccentric use of grammar and punctuation.
Some of Cummings' most famous poems do not involve much, if any, odd typography or punctuation, but still carry his unmistakable style, particularly in unusual and impressionistic word order.
For example, "anyone lived in a pretty how town" begins: His readings of Stein in the early part of the century probably served as a springboard to this aspect of his artistic development in the same way that Robert Walser's work acted as a springboard for Franz Kafka.
In some respects, Cummings' work is more stylistically continuous with Stein's than with any other poet or writer. In addition, a number of Cummings' poems feature, in part or in whole, intentional misspellings, and several incorporate phonetic spellings intended to represent particular dialects.
Cummings also made use of inventive formations of compound words, as in "in Just"  which features words such as "mud-luscious", "puddle-wonderful", and "eddieandbill. Many of Cummings' poems are satirical and address social issues see "why must itself up every of a park"abovebut have an equal or even stronger bias toward romanticism: Cummings' talent extended to children's books, novels, and painting.
A notable example of his versatility is an introduction he wrote for a collection of the comic strip Krazy Kat. Examples of Cummings' unorthodox typographical style can be seen in his poem "The sky was candy luminous".
Cummings's eccentric punctuation is, also, I believe, a symptom of his immaturity as an artist.
It is not merely a question of an unconventional usage: Cummings's punctuation is that the results which it yields are ugly. His poems on the page are hideous. Cummings i thank You God for most this amazing day: The production was directed by James Light.
The play's main characters are "Him", a playwright, and "Me", his girlfriend. Cummings said of the unorthodox play: Relax and give the play a chance to strut its stuff - relax, stop wondering what it is all 'about' - like many strange and familiar things, Life included, this play isn't 'about,' it simply is.
Don't try to enjoy it, let it try to enjoy you.
A Symposium to End Symposium. The play consists of dialogue between Man, the main character, and three "infrahumans", or inferior beings. The word anthropos is the Greek word for "man", in the sense of "mankind". The ballet is detailed in a "synopsis" as well as descriptions of four "episodes", which were published by Cummings in It has never been performed.
More information about the play as well as an illustration can be found at GVSU.E.E. Cummings: E.E. Cummings, American poet and painter who first attracted attention, in an age of literary experimentation, for his unconventional punctuation and phrasing.
Cummings’s name is often styled “e.e. cummings” in the mistaken belief that the poet legally changed his name to lowercase letters only. Love was, in Cummings’ poems, equated to such other concepts as joy and growth, a relationship which “had its source,” wrote Robert E.
Wegner in The Poetry and Prose of E. E. Cummings, “in Cummings’ experience as a child; he grew up in an aura of love. Love is the propelling force behind a rutadeltambor.com · The Christian Science Monitor is an international news organization that delivers thoughtful, global coverage via its website, weekly magazine, daily news briefing, and email rutadeltambor.com://rutadeltambor.com · Christopher Sawyer-Lauçanno has written a substantial biography of E.
E. Cummings, an American poet who gained great popularity and critical acclaim in his lifetime and who, over forty years rutadeltambor.com · Edward Estlin Cummings, popularly known as E.
E. Cummings, with the abbreviated form of his name often written by others in all lowercase letters as e. e. cummings, was an American poet, painter, essayist, author, and rutadeltambor.com://rutadeltambor.com E.
E. Cummings - Poet - Edward Estlin Cummings is known for his radical experimentation with form, punctuation, spelling, and syntax; he abandoned traditional techniques and structures to create a new, highly idiosyncratic means of .