Essays about quilts

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Essays about quilts

Rooted in Africa, Raised in America: The Africans brought to the New World to toil their lives away as slaves were generally cultivators.

They also possessed a wide range of skills that they had used for generations to wrest a living from the land and among these millions of unwilling immigrants were many skilled artisans.

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They included builders who erected houses for their families and other structures that sheltered their annual harvests.

When confronting the challenges of living in the dense tropical forests of their homelands, they turned to their local blacksmiths who forged the necessary iron tools that allowed them to clear and maintain their garden plots. Basket makers provided them with various containers that allowed crops to be harvested and stored until needed.

Potters turned local clays, found most often along the banks of numerous rivers and streams, into useful cooking and storage vessels. Other domestic implements, items like serving bowls and drinking cups, could be fashioned from gourds of varying sizes and baskets were made from reeds, palm leaves, and a wide variety other vegetal materials.

Over the course of several millennia African populations developed the means to live successfully within a challenging environment of extreme heat, prolonged rain, and dense forest cover. Labeled by Europeans as savages, these people possessed a wide array of tangible skills that would ultimately prove to be precious immigrant gifts that they would contribute to the making of the Americas.

The well-documented horrors of captivity in the foul holds of slave ships drive from our minds any images except those of horrible misery and suffering.

Essays about quilts

Yet objects of considerable creativity, on occasion, also made the same voyage from Africa to the Americas.

There is today in the British Museum a drum carved from a section of a tree trunk that was collected in Virginia some time between and There can be little doubt that this musical instrument was used in some plantation context almost half a century before the American Revolution.

The presence of such an unquestionably African object in the Americas indicates that the captives who were taken far from their homeland were still able to retain selected aspects of their native identities.

It was more often the case that elements of their culture—language, religion, and foodways to name a few—would over time become blended or creolized expressions as Africans evolved into African-Americans. Banjo being played at slave quarter with a drum accompaniment.

In plantation societies the playing of drums was generally outlawed due to the fear by slave owners that such instruments could be used to send messages related to rebellion and escape. Such prohibitions did not however apply to other African musical instruments such as the banjo.

In fact, the appealing sound of the banjo would, by the dawning of the nineteenth century, ignite a national fascination for its compelling combination of melody and percussion.

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Functionally the banjo joined the lute to the drum, an act that fused melody with a strong rhythmic punctuation. This combination of tune and percussion in a single instrument proved to be so appealing that banjo tunes that were first heard in plantation contexts are played today.

African Potter and Colonoware samples.

Essays about quilts

Archaeologists, who have probed the grounds on old plantation sites dating back to the seventeenth century, regularly turn up fragments of unglazed earthenware pottery.Quilts and Quilting. Use your embroidery machine to quilt in the hoop or embellish a quilt with embroidery designs or make an entire quilt with embroidery.

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